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ShipbreakingBy Robin Beth Schaer
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Honored as one of BuzzFeed's "16 Best Poetry Books of 2015"
Honored as one of BuzzFeed's "24 Best Literary Debuts of 2015"
Robin Beth Schaer's debut collection of poetry, Shipbreaking, charts a beautiful and dangerous journey. It is an intimate and interstellar odyssey where seas rise, mastodons roam, aeronauts float overhead, bodies electrify, and a child is born as a ship wrecks in a hurricane. The speaker here is curious and fierce, consulting scientists, philosophers, ancient maps, fossil bones, and lovers in order to survive and understand the strange majesty of living. With empathy and exaltation, the poems collapse the distance between natural disasters and human struggles, interweaving relationships between the upheavals and renewals that both the heart and Earth undergo.
From "Disturbance"
Put a silver coin on your tongue
with a penny underneath
and you can taste the electricity.
We said go slow but were urgent
as elephants, charging down
the power lines. Now the lights
won't stay on and the trees
are down. Sleep until you're done,
I'm awake, brushing hands along
darkened walls, feeling for the switch.
It must be here somewhere. We are
electric; this is not a metaphor ...
- Sales Rank: #851541 in Books
- Published on: 2015-08-20
- Original language: English
- Number of items: 1
- Dimensions: 9.25" h x 6.00" w x .50" l, .38 pounds
- Binding: Paperback
- 76 pages
From Publishers Weekly
Schaer worked two summers as a deckhand on the tall ship Bounty, and the churn of the sea powers the work in her impressive debut collection. These sinewy, taut poems move seamlessly between ocean and city and natural disaster as if all were elements of the same landscape. Entering this book means diving into a world where the speaker is both Odysseus and Penelope, struck by the world's beauty and ultimate callousness. In these poems, it is usually nighttime, and the atmosphere is appropriately ominous: buckles rattle as belts are removed and eyes watch a lover like "a pair of dark fish" as the "future clock of disappointment chimes." Though the verse forms are traditional, Schaer innovates through skillful linguistic play. The poems' strength and tension arise as the expected shapes shift and swell amid her surprising verbiage and vocabulary. Here, a lover becomes a "sweet locomotive" careening, "hunger/ sings the stridulant percussion of limbs," and the "sleepless alarm of instinct strung/ every nerve on a trigger of quills." Solitude and starvation seem inevitable. In Schaer's voluminous, shipwrecked world, everything is beautiful and no one is safe—it is from this suffering that song is created. This is a gorgeous debut from a smart, incisive young poet. (Sept.)\n
Review
"Shipbreaking is a book about being saved while recognizing loss ... If we trust our poets enough, we allow them to cause wounds and then apply the salves." --The Millions, Most Anticipated: Great Second-Half 2015 Book Preview
"In Schaer's voluminous, shipwrecked world, everything is beautiful and no one is safe—it is from this suffering that song is created. This is a gorgeous debut from a smart, incisive young poet."—Publishers Weekly starred review
"Robin Beth Schaer emerges as a lyrical force to be reckoned with in Shipbreaking" --San Francisco Chronicle
"Shipbreaking is a stunning book about being awake. Robin Beth Schaer spins her readers through the wires, storms, and electricity between us -- with great precision of language and line. This is the voice of an explorer, a speaker of wild courage. Brimming with recognition of conditions both human and otherworldly, Schaer speaks as guide and messenger. This is a moving, necessary book." --Jan Beatty
"Schaer toggles between the cosmic and the intimate, brilliantly weaving a tapestry of gorgeous, sometimes painful, interconnectedness. Schaer is alert both to the rawness of the elements and the work of human hands. Her poetry charts a natural history which includes us, but not only us. The child unfurling in the womb, the city flooded in storm, the ship lost at sea: Schaer registers all with a striking combination of gorgeous gaud and stark specificity." --Maureen McLane
"Shipbreaking's ultra-taut lines urge departure, a kind of experiential upsweep. And they keen just as convincingly toward the steady grounding of land, home and the embrace of the beloved as they do toward the wind-racked surface and unknowable depths of the sea--constants in Schaer's mythology, which foster 'that skyward longing, to be untethered.'" --Tracy K. Smith
"'Love is haywire', Robin Beth Schaer writes in one of her passionate lyrics; 'love for my consort', 'my lovely undoing', and for the seagoing vessels that haunt these lines, and for a young son whose future depends on the fate of another beloved, this world in which 'under the city' / 'aquifer fills with seawater' / 'slowly drawing the avenues down'. Schaer's language and her passion operate under the increasingly inescapable pressure of limit, and the result is something beautiful and broken, like this moment." --Mark Doty
"Some poets play the spoons, but Schaer plays the knives. Her words are not so much written as carved, her lines not so much offerings as incisions ... Schaer has given us the world in this debut: the sea and the sky and the many islands of desire spread between them. She has plumbed our dual human yearnings for escape and return, love as liberation and love as captivity. In her lexical and historical wanderlust, she has grappled with what it means to name and what it means to leave unnamed." --The Rumpus
About the Author
Robin Beth Schaer is the author of the poetry collection Shipbreaking. Her writing has appeared in Tin House, Paris Review, and Guernica, among others. She teaches writing in New York City, and worked as a deckhand aboard the Tall Ship Bounty, a 180-foot full-rigged ship lost in Hurricane Sandy.
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